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And After Much Thought, I Mean, Adjustment

Greetings and welcome to the Cooper studio on this fine January morning.  The sun is shining.  Wow!  I don't know quite how to behave with that!  :)

And so, that title:   And After Much Thought, I Mean, Adjustment, we are harking back to a recent post where I discussed the issue of how many thumbnail sketches is a good number for planning a painting.  I am still researching the subject, and it seems to be coming under the heading of trialanderror.  The selected thumbnail drawing for today's posted painting resembled kind of an h-shape, and I wish I knew where it went.  As the painting progressed and I went down the path of three-steps-forward-two-steps-back, the painting now shares a strong kinship with one of the eight thumbnail drawings I had earlier deemed unworthy and not worth pursuing.  How DO these things happen?  I suppose I should not be thrashing this issue, when I end up with a painting that I'm really pleased with, right?  But sometimes, don't you just wish for a miracle formula where every single painting happens easily beautiful and beautifully easy?  Sigh.  How about we just enjoy the painting now, eh?

  Lunch Date, an acrylic painting on canvas, measuring an expansive 41 x 31.5 inches.  This canvas stretcher is of a shallower depth, so I went ahead and put it in a canvas floater frame.  Black, nice, always gives a good presentation, one of my favorites.

Later, Cooper


1 Response to And After Much Thought, I Mean, Adjustment

Marian Fortunati
via karencooperpaintings.com
Somehow with me it doesn't seem to matter how many thumbnails I do.... I have trouble deciding which is BEST.... THEN if I pick one, I invariably don't paint it in the same as I envisioned it on the thumbnail... Sigh...
Yours turned out well, though... even if, perhaps it didn't paint itself... (Don't you just LOVE it when that happens???)








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